Ducking, or sidechain compression, is one of the defining effects of modern music. From classic house to modern EDM, tracks by Daft Punk, Noisia and Eric Prydz ooze that pumping, ducking effect.

Sidechain Compressor is a flexible VST/AU compressor plug-in. It can be used as a regular channel strip compressor for clean crisp compression & limiting across a wide range of mixing jobs (e.g. Adding punch to drum tracks or presence to vocals). Click the pre-fader in the sidechain send. This lets you lower the fader on the PD-SC track. You’ll be left with only the rhythmic pads. Adjust the hold and release to taste. GATE-KEEPER Insert the gate on an instrument track with a drum plug-in like Impact or EZdrummer. Clicking the trigger button on Gate lets you select a MIDI note.

So, whether you’re producing pumping house or broken beats, Duck delivers in seconds.

Duck makes it easy to design a custom volume shape that repeats at a speed and depth of your choice, or use one of 58 presets to find new and inspiring effects. As well as sidechain compression Duck is capable of trance-gating, tremolo and any other volume effect you can think of. For more control, enable split band mode and adjust the separate low and high frequency controls. And Duck can be triggered with audio from a sidechain input or by MIDI notes, making it easier than ever for hip-hop and bass music producers.

Customer Review

Reaper Blog

Adi Calef

Instant sidechain pumping as soon as you load the plugin
Cleaner, louder and more exciting mixes
Choose from 8 preset curves or 58 creative and useful Duck patches
Draw your own curves and rhythms to use now, or save them later
Set the overall pump, or apply to low and high bands with adjustable crossover
Run Duck in Repeat mode, or use sidechained audio or MIDI signals to trigger
Smoothing control to remove clicks: including super-accurate pre-smoothing algorithm when in LFO mode
Run on individual tracks, groups or your master bus for different pump effects
Low CPU usage means you can run Duck on loads of tracks
Mac and Windows: VST/AU/AAX plugin

The crossover allows you to process the high and low frequencies of your music separately.

Find out how can use this feature to let your music shine whilst still having all that space for your bass.

Compatibility

OSX 10.7 or later; Windows 7 or later. VST 2.4, VST 3, AudioUnit and Protools 64-bit AAX

Thanks to Scott Wade and James Russell for presets, testing and more.

Have you ever wished that your tracks could listen to each other?

For example, say you’ve got a killer kick drum that drops right at the perfect spot. But the bass just seems to steal that kick’s subby glory.

Wouldn’t it be great if your bass could hear that kick drum, and step to the side to let that kick really thud?

That’s what Sidechaining in Logic is all about. Sidechaining gives your tracks a set of ears that listens to another track or instrument.

But how do you Sidechain in Logic Pro X? And when should you?

Easy! It’s all really a matter of what do you want to accomplish.

Easy as 1, 2, 3

Sidechaining gives you the ability to let your tracks listen in on each other. But what they do totally depends on the plugin you’re using to listen with.

Plugins are the key to connecting Sidechains. How do you know if a plugin can Sidechain? Just look in the upper right-hand corner of the plugin window:

In this case the Gate has the option to listen to another track.

Click on the menu, and you can see a list of all the inputs, tracks and busses in your project:

These tracks are all available for the Gate to listen and respond to.

But Why Sidechain?

That’s the question, isn’t it?

We Sidechain because we want a plugin to listen to the Sidechain track, but respond on the track it’s inserted on.

Let me explain –

The classic Sidechain scenario is our deep kick and bass are fighting for space in the low end.

Since both the bass and kick are low end instruments, they tend to get in each other’s way. This sucks, because pro mixes rely on a the low end to be both tight and powerful.

The thing to remember is that bass notes tend to sustain while kick hits come and go quickly. If the bass can drop in volume each time a kick hits, something magical happens.

You won’t lose the bass, but you’ll have room to hear the kick!

Logic’s Gate is perfect for this. It can reduce the level of the bass every time the kick hits.

To do this, insert Logic’s Gate on your bass track. Then set the Gate to Ducker:

Then go up to the Sidechain menu, and select your kick track.

From here, all you need to do is adjust the Threshold and Ducking on your Gate while you watch the Open and Close meters:

And what happens is every time the kick hits, your bass will duck in volume. Thus, your kick can now enjoy the space it needs!

Other Reasons to Sidechain in Logic Pro X

There are many reasons to Sidechain! Here are some options to consider:

Sidechaining Logic’s Gate and Test Oscillator on Snare Hits

A very common snare trick is to have a blast of white noise under snare hits. the white noise acts like a bottom snare track and adds aggression.

Open a new track and insert the Test Oscillator plugin on it. Open the Test Oscillator and set its mode to White Noise:

Then open Logic’s Gate on the same track. But this time, set it to Gate instead of Ducker.

Select your Snare track in the drop down Sidechain menu. Once again, play with the Threshold. But leave the Reduction set at -100 dB.

Find the Threshold where the white noise only occurs when the snare hits, and adjust the Attack, Hold, and Release on the Gate to taste.

Sidechaining Logic’s Match EQ

Match EQ is awesome for matching the EQ curve of one track to another. And it actually relies on the Sidechain to work.

Sidechain Logic Plugin Vst Plugin

Say you have a vocal track you recorded two weeks ago. And today you want to rerecord some of the vocal parts.

After recording the touch-ups, you find that the vocals don’t sound quite the same.

There’s a lot of reasons this could be:

The mic set-up is slightly different
The singer is a little sniffley, and sounds like she’s singing through a kazoo
The singer had a killer sandwich, and is channeling the ghost of Freddy Mercury because of it

In any event, Match EQ can help your vocals achieve some consistency.

To do this, let’s assume you tracked the new vocals on a separate track.

Place Match EQ on the new vocal track. Set your original vocal track as the Sidechain.

Now hit Learn on the Current tab and hit play:

Match EQ will start to learn the new vocal EQ curve. Once the curve seems to stop moving, hit Learn again to stop the process and hit Spacebar to stop playback.

Now hit Learn on the Reference tab. Find a section of the old vocal, and hit play. Once the Match EQ curve stops moving, stop playback and hit Learn:

Lastly, hit Match on the EQ Curve tab:

Now Match EQ will adjust your new vocal’s EQ curve to match the old curve! Use the Apply slider on the right to adjust how aggressive Match EQ is.

And now you can get that